Thursday, February 14, 2013

Three Tips for Tweeps

It’s time for some more Twitter goodness! In previous posts, I tackled hashtags and offered you 30 Hashtags for Writers and 40 more Hashtags for Writers.

In this article, I want to give you three tips on using Twitter:

1)    Identifying Hashtags
2)    Tracking Hashtags
3)    Hooting Hashtags


Identifying Hashtags
 
Most hashtags are self-explanatory, such as #amwriting or #selfpub, but what happens when you don’t understand a hashtag? What the heck does #asmsg mean?
 
When in doubt, you can always refer to Tagdef. On this site, simply write in the unknown hashtag, and check the definition:
 
#asmsg is Authors' Social Media Support Group : A Talented Group of Independent Authors from Around the Globe Offering a Diverse Collection of Books.
 
You won’t find every single hashtag (for example, #WLC –World Literary Café—isn’t in the database), but it’s a good place to start. What’s more, if you know the meaning of a hashtag, you can always add it to the database and help out others.
 
Tracking Hashtags
 
Another great site to check out hashtags is Hashtags.org. But beware! Signing up is quite expensive for the humble writer (fees go from $49-349 a month). Nonetheless, that shouldn’t stop you from giving it a look. Snooping around, I found a little trick around the system. Just click this link for a taste of the free service (access to the demo is somewhat buried in the website). At the top of the page, you’ll see a search box with a giant hash symbol at the front. Simply type in your hashtag and watch the magic unfold.
 
Here’s an example. Let’s type in #asmsg. Remember that one? Author Social Media Support Group. Here’s what we get:
 
 
This is the 24-hour trend graph for this hashtag. It shows an approximation of how many times the hashtag has been used in the past 24 hours. As a paying customer, you can track hashtags over periods of 12 months (very useful for commercial purposes).
 
What’s so important about knowing when a hashtag is most prolific? It’s a sign of when people interested in that hashtag are using Twitter. If you want to, say, promote your blog about writing with the hashtag #writetip, it’s a good idea to check this graph to see when the hashtag is most used. It’ll probably have more chances of being seen with the #writetip community is at a peak.
 
The website offers three more delicious morsels:
 
 
As you can see in the image, even in the demo we get a short list of prolific users of that hashtag (in case you’d like to contact or follow any of them), part of a pie chart with other related hashtags (you have to upgrade to view half the chart, but still—it’s better than nothing), and a short list of recent tweets related to the hashtag you just looked up.
 
What to do with all this new information?
 
Hooting Hashtags
 
At first, I used just Twitter. Then, I went over to Tweetdeck so I could manage my tweets and schedule them for when I was away from the computer. However, I quickly left Tweetdeck because it was unreliable. I would spend several minutes organizing my tweets, leave, and hours later I’d find out not a single one of them had been sent. There wasn’t any apparent reason; the site just sometimes didn’t want to work.
 
My current recommendation is the social media management dashboard Hootsuite. It’s reliable, sturdy and intuitive. You can see all your streams in columns: Home Feed, Mentions, Scheduled Tweets, Direct Messages and Sent Tweets. I won’t delve into the intricacies of Hootsuite, but I will point out that it’s a great tool to manage your tweets.
 
At the top of the page, there’s a schedule button. Click it and you’ll get a very easy-to-use menu. Just write your tweet, select the time and date for it, and click schedule. The new tweet will appear in your Scheduled Tweets column.
 
 
The only drawback I see to Hootsuite is that the scheduling intervals run each five minutes. Options such as 10:48 aren’t possible, it’s either 10:45 or 10:50. This constraint gives the tweets a bit of an artificial flavor, but the application is still well worth the time.
 
So that’s it! With these three tools, I’m sure any tweep will be able to make the experience more valuable!

Sunday, February 10, 2013

Books for Writers #4 - Characters, Emotion and Viewpoint


(Sorry for the delay posting this, but I somehow managed to superglue the pages of the book together...)

This week’s recommendation is Characters, Emotion and Viewpoint by Nancy Kress. It's part of the Write Great Fiction series, and a great read for anyone wishing to add more depth to their stories.

Characters, Emotion and Viewpoint is loaded with useful advice, information and exercises that you can apply from the very beginning--no matter the writing stage you're in.

Chapters one to seven focus on creating deep and believable characters, chapters eight to eleven discuss emotion, and chapters twelve to sixteen manage point of view. The transition from one topic to another is very well done and easy to follow, as each chapter builds on the previous ones.

Kress delves into so much detail—and offers so much advice—that it's difficult to choose just a couple points to comment on in this review. There's just so much going on in this book and it's all so great!

For example, in the chapters on how to create characters, the author defines each type of character, gives advice on making (good or bad) first impressions, tackling a character's social masks and true motivations, offering interesting backstory, giving your characters inner turmoil and conflicting desires… She even gives specific character portraits for genre fiction (characterization in romance, in westerns, in sci-fi...). 

A great chapter on characterization is Chapter 5: Showing change in your characters—If I knew then what I know now. Showing character change and development can be, as Kress says, overwhelming. Her main advice is to break down the task and write in scenes—and specify exactly what each scene "is supposed to accomplish". I have to admit I learned a lot from this section, and have been trying my best to apply it to my own work.

After the section on characterization, the author goes on to comment emotion. Kress offers us this great example:

All the following statements […] are made spontaneously by characters who have just learned that their dogs have been run over by a speeding truck:

- "Oh my God, no! No! Oh, not Cinnamon—no!"
- "Goddam $#%@*& driver! I'll kill him!"
- "Where is she? Can I see her? Who picked up the body?"
- "Did she suffer? Oh, please say death was instantaneous!"
- "I just let her out a minute… oh, God, I should have put her on the leash… oh, it's my fault… poor Cinnamon…"

- Silence.

All these examples are very short, yet they already show us character emotions—and character traits, thus reminding readers of everything we learned in previous chapters. See how it's all linked together?

Other techniques Kress comments on while discussing emotion are clichéd techniques, showing emotion through metaphor and sensory detail, special cases of emotion (loving, fighting and dying) and frustration. Yes, the author dedicates an entire chapter to introduce frustration as a valuable tool to nudge characters along and keep readers interested. Very interesting indeed!

As for point of view, Kress starts out by defining protagonist and point of view character, and then gives advice on how to choose the point of view character, as well as how many there should be (hint: as few as possible to still tell your story).

After giving a quick description of each type of point of view (first, third, and omniscient—as well as experimental and combinations of first and third), the author gives us in-depth information and guidance on the three main types of point of view. This is great help for anyone who struggles with defining clear points of view.

All in all, Characters, Emotion and Viewpoint is yet another great reference book for creative writers. If you’re having trouble showing emotion, if your characters act more like paper dolls than real people, or if you need some guidance on choosing the right point of view, this is a must-read! Along with The Emotion Thesaurus, it can give you all the tools you need to breathe life into your story.


Apart from the wealth of exercises at the end of each chapter, another added perk to this book is that each chapter contains special question boxes with writing-related topics, for example:


Question: Is a thesaurus useful in writing descriptions of people and places?
Answer: A thesaurus is either a great aid or a disastrous deceiver, depending on how you use it. [The author then goes on to give an explanation.]

I don’t know what I would have done without it! (And yes, I managed to salvage the pages I had glued together...)

Monday, February 4, 2013

Welcome Weekend Writing Warriors!

This post is several days late--but hopefully not too late!

As many of you know, Six Sentence Sunday closed on January 27 of this year. I hadn't participated much (because I'm a mess and can't keep track of my own schedules), but I was still very sad to see this engaging initiative come to an end. Many thank yous to the administrators of the site for their hard work and dedication.

Here's a moment of silence for Six Sentence Sunday. You will be missed.


Luckily for those of us who need our Sunday literary fix, we have a new site rolling:

Weekend Writing Warriors, or the tongue-twisting WeWriWa!


The premise is the same as before: sign up on the website and post your submission on your blog or website by Sunday morning. There is only one difference: texts are eight sentences long. That gives us a couple more sentences to breathe--and boy do I need them!

For more information on the rules and deadlines, check out the website (linked above). You can also receive updates on Twitter with the hashtags #WeWriWa and #8Sunday.

Happy writing, everyone!
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